Ilha do Desterro - A Journal of English Language, Literatures in English and Cultural Studies. N.58 - Jan/Jun 2010 - Florianópolis, SC. ISSN 0101-4846.
Contemporary Irish Theatre. Editora da UFSC
Edited by Beatriz Kopschitz X. Bastos & José Roberto O'Shea
Contemporary Irish Theatre. Editora da UFSC
Edited by Beatriz Kopschitz X. Bastos & José Roberto O'Shea
CONTENTS
INTRODUCTION
CONTEMPORARY IRISH THEATRE: A DYNAMIC COLLECTION OF CRITICAL VOICES
Beatriz Kopschitz Xavier Bastos and José Roberto O'Shea
ARTICLES
UNIVERSAL OR PROVINCIAL? : EARLY RECEPTION OF BRIAN FRIEL'S PHILADELPHIA, HERE I COME!
Peter James Harris
THE OLD LADY SAYS "NO": THE LANGUAGE OF DENIAL IN BRIAN FRIEL'S THE LOVES OF CASS MCGUIRE
Giovanna Tallone
DOOMED VOLUNTEERS: TWO GREAT POLITICAL PLAYS FROM IRELAND
Heinz Kosok
FRIEL AND HIS "SISTERS"
Abbey Theatre talk
Nicholas Grene
LANDSCAPES OF THE MIND: POSTDRAMATIC FEATURES IN BRIAN FRIEL'S MOLLY SWEENEY
Anna Stegh Camati
BRIAN FRIEL: THE MASTER PLAYWRIGHT
Martine Pelletier
"A SCEPTIC IN A CREDULOUS WORLD": RE-EVALUATING THE WORK OF STEWART PARKER ON THE TWENTIETH ANNIVERSARY OF HIS DEATH
Clare Wallace
SAM THOMPSON, STEWART PARKER, AND THE LINEAGE OF NORTHERN IRISH DRAMA
Marilynn Richtarik
(UN)SETTLEMENT: POLITICAL PARODY AND THE NORTHERN IRISH PEACE PROCESS
Mark Phelan
"POOR BANISHED CHILDREN OF EVE": TOM MURPHY AND THE SYNTAX OF HISTORY
Paul Murphy
A CONSTITUIÇÃO, A FAMÍLIA, A TRADIÇÃO E A DESCONSTITUIÇÃO DA FAMÍLIA TRADICIONAL EM THE BEAUTY QUEEN OF LEENANE
Magda V. F. de Tolentino & Raimundo E. Santos Sousa
IMPOSSIBLE PROMISE: THE CHILD AND THE ANDROGYNE IN THOMAS KILROY'S THE SECRET FALL OF CONSTANCE WILDE AND MY SCANDALOUS LIFE
José Lanters
VIOLENCE AND HOPE IN ARIEL, BY MARINA CARR
Zoraide Rodrigues Carrasco de Mesquita
FROM MASS MEDIA TO NEW MEDIA IN CONTEMPORARY IRISH DRAMA: BILLY ROCHE'S ON SUCH AS WE AND PAUL MEADE'S SKIN DEEP
Patrick Lonergan
"STUFF FROM BACK HOME:" ENDA WALSH'S THE WALWORTH FARCE
Eamonn Jordan
CONOR MCPHERSON'S THE SEAFARER: TINKERING WITH TRADITION
Roberto Ferreira da Rocha
CONOR MCPHERSON'S VIEW OF ENDGAME BY SAMUEL BECKETT
Maria Rita Teixeira Silva Köster
"ESTRANGING EXTERIORITY": TRANSLATION AND ADAPTATION IN IRISH DRAMA
Maureen Murphy
DIFFERENT APPROPRIATIONS OF GREEK TRAGEDY IN CONTEMPORARY DRAMA: IRISH AND OTHERWISE
Munira H. Mutran
CHARABANC, CULTURAL CAPITAL AND THE MEN OF RECOGNISED CREDIT
Brenda Winter
DRUID THEATRE'S ECONOMICS: THE FIRST DECADE
Shelley Troupe
A BRIEF HISTORY OF CIA LUDENS AND ITS PRODUCTIONS OF IRISH PLAYS IN BRAZIL
Domingos Nunez
INTRODUCTION
CONTEMPORARY IRISH THEATRE: A DYNAMIC COLLECTION OF CRITICAL VOICES
Beatriz Kopschitz Xavier Bastos and José Roberto O'Shea
ARTICLES
UNIVERSAL OR PROVINCIAL? : EARLY RECEPTION OF BRIAN FRIEL'S PHILADELPHIA, HERE I COME!
Peter James Harris
THE OLD LADY SAYS "NO": THE LANGUAGE OF DENIAL IN BRIAN FRIEL'S THE LOVES OF CASS MCGUIRE
Giovanna Tallone
DOOMED VOLUNTEERS: TWO GREAT POLITICAL PLAYS FROM IRELAND
Heinz Kosok
FRIEL AND HIS "SISTERS"
Abbey Theatre talk
Nicholas Grene
LANDSCAPES OF THE MIND: POSTDRAMATIC FEATURES IN BRIAN FRIEL'S MOLLY SWEENEY
Anna Stegh Camati
BRIAN FRIEL: THE MASTER PLAYWRIGHT
Martine Pelletier
"A SCEPTIC IN A CREDULOUS WORLD": RE-EVALUATING THE WORK OF STEWART PARKER ON THE TWENTIETH ANNIVERSARY OF HIS DEATH
Clare Wallace
SAM THOMPSON, STEWART PARKER, AND THE LINEAGE OF NORTHERN IRISH DRAMA
Marilynn Richtarik
(UN)SETTLEMENT: POLITICAL PARODY AND THE NORTHERN IRISH PEACE PROCESS
Mark Phelan
"POOR BANISHED CHILDREN OF EVE": TOM MURPHY AND THE SYNTAX OF HISTORY
Paul Murphy
A CONSTITUIÇÃO, A FAMÍLIA, A TRADIÇÃO E A DESCONSTITUIÇÃO DA FAMÍLIA TRADICIONAL EM THE BEAUTY QUEEN OF LEENANE
Magda V. F. de Tolentino & Raimundo E. Santos Sousa
IMPOSSIBLE PROMISE: THE CHILD AND THE ANDROGYNE IN THOMAS KILROY'S THE SECRET FALL OF CONSTANCE WILDE AND MY SCANDALOUS LIFE
José Lanters
VIOLENCE AND HOPE IN ARIEL, BY MARINA CARR
Zoraide Rodrigues Carrasco de Mesquita
FROM MASS MEDIA TO NEW MEDIA IN CONTEMPORARY IRISH DRAMA: BILLY ROCHE'S ON SUCH AS WE AND PAUL MEADE'S SKIN DEEP
Patrick Lonergan
"STUFF FROM BACK HOME:" ENDA WALSH'S THE WALWORTH FARCE
Eamonn Jordan
CONOR MCPHERSON'S THE SEAFARER: TINKERING WITH TRADITION
Roberto Ferreira da Rocha
CONOR MCPHERSON'S VIEW OF ENDGAME BY SAMUEL BECKETT
Maria Rita Teixeira Silva Köster
"ESTRANGING EXTERIORITY": TRANSLATION AND ADAPTATION IN IRISH DRAMA
Maureen Murphy
DIFFERENT APPROPRIATIONS OF GREEK TRAGEDY IN CONTEMPORARY DRAMA: IRISH AND OTHERWISE
Munira H. Mutran
CHARABANC, CULTURAL CAPITAL AND THE MEN OF RECOGNISED CREDIT
Brenda Winter
DRUID THEATRE'S ECONOMICS: THE FIRST DECADE
Shelley Troupe
A BRIEF HISTORY OF CIA LUDENS AND ITS PRODUCTIONS OF IRISH PLAYS IN BRAZIL
Domingos Nunez